Before I
received a mail from Blogadda about “Private India” being up for review, for
the first time after ages I already knew about the book, after all I had been
waiting for it for a really long time, possibly since I first heard about the co-authorship.
A combined effort of James Patterson, one of the most popular thriller writers
of the world and author of more than 100 novels, and, Ashwin Sanghi, better
known as the Indian Dan Brown and author of one of my absolutely favourite
books ‘Chankaya’s Chant’, comes the latest addition of the Private Series,
“Private India.”
Before
beginning with the review, here’s the basic storyline from the back cover of
the book, after all I don’t think I’ll be able to provide a summary as enticing
as this one, just yet.
In Mumbai, seemingly unconnected
people are dying, strangled in a chilling ritual and with strange objects
carefully arranged with corpses.
For Santosh Wagh, head of Private
India, the Mumbai branch of the world’s finest investigation agency, it’s a
race against time to stop the killer striking again.
In a city of over thirteen million,
he would have his work cut out at the best of the times, but this case has him
battling Mumbai’s biggest gang lord and a godman who isn’t all he seems.
And then he discovers there may be an
even greater danger facing Private India. Hidden in the shadows is someone who
could destroy the whole organisation – along with thousands of innocent Mumbai
citizens.
The story
starts with a glimpse of the 26/11 terrorist attack in Mumbai and being the
brainchild of two amazing writers, it takes you back to the night of the
horrific incident, rather vividly. Cut
to the present times, we see the exquisite writing style of James Patterson. In
fact if you are familiar with earlier works of the authors then it’s really
easy to differentiate which part has been contributed by whom.
Like I
mentioned earlier, Chankaya’s Chant by Ashwin Sanghi has been one of my
favourite books so far. The ruthlessness and brilliance of it leaves you
spellbound. I have even read his other two books, Rosabal Line and Krishna’s
Key, but neither can match the ferocity of Chankaya’s Chant.
As far as
James Patterson is concerned, he is considered the thriller master and having
read few of the ‘The Women’s Murder Club Series’ and a few of the ‘Alex Cross
Series’, I can say without a doubt that when it comes to thrillers, Patterson
knows what he’s doing.
This being
said, I hadn’t heard much about the Private series, except that they are
written mostly through collaboration work of Patterson with someone or the
other. However from a standalone book viewpoint, a newcomer to the series might
struggle with the 'Private' concept, like I did, but, the detailed description
of the gadgets and the facilities at the Private India office reduces the
feeling and at the end of the day it is just another high end Private
Investigator book.
The story
most definitely is a page turner and given the number of thrillers I have read,
there were quite a few surprises, which really did surprise me! However, after
I finish reading, and still feel that something is missing, I try to figure
what went wrong and where.
The one
thing that kept on bothering me was the presence of too many elements in the
sub-plot, like the Indian Mujahideen, the mafia don Munna, and the Godman Nimbu
Baba, which kept cropping up at regular intervals. Even though the roles of
these people were limited, the story could have been just about the serial
killings. Apart from this, celebrities, politicians, beggars, orphans,
prostitutes, police, journalists, local trains, dilapidated buildings, terror
attacks and millions of people; basically every bone of the skeleton of Mumbai
has been touched upon by the authors like it is intended to be the right blend
for a Bollywood ‘Masala’ project, nothing more. Also I felt that transexuality
has been treated rather lightly here, which seemed a little insulting and
derogatory to the character itself.
The whole
book read like a Bollywood movie with unnecessary cliché’s and laced with
disturbing language, very layman style, especially when you take into
consideration the brilliant works of both the authors done earlier.
With aspects of Indian mythology set as the centre stage for the all the murders, the handiwork of Sanghi I believe, the concept of sacred feminism and how the females are still shunned, in certain ways and places in our society, could have been developed a little more. I really do wish the authors had delved further into the subject, rather than just the surface details. The motive and the mindset of the killer was also left sort of unexplained. I feel criminal psychology is a really interesting subject and there was a lot of scope here to develop it further.
Most of the
characters are pretty commonplace, apart from Wagh, our protagonist and the
serial killer. I feel there wasn’t enough justice given to the antagonist while
writing out the character, as people love to delve into the psyche of such
individuals, I know I do.
Most of the
book is written in third person but the parts involving the antagonist are in
first person, which was disturbing and quite distracting at the same time, an
inconsistency given the otherwise accurate portrayal.
The only reason that worried me initially was if I’ll be able to finish the book in the one week’s time given by Blogadda, owing to my schedule, but once I started reading, I was able to finish it off in three days, not regular three days but three nonetheless. Thanks to the short chapters and reader friendly font size. So if you have any doubts about your reading speed, this book is an absolute confidence booster.
All in all,
a pretty decent book for anyone who is into a little spicy Indian thrills with
a good taste and sense of humour. Also it could be a pretty good opportunity to
familiarise oneself with the writing styles of both the authors.
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Dear Archana,
ReplyDeleteIt sounds an interesting review.
Also agreed to the point that you made that one should not mix match the authentic writing style of literature with the cinemas. literature has always carried its unique identity across decades.so in that case our writing community should not start following hard lines of cinemas in fact let them follow the literature as always.
Regards!
Zeeshan Ali
Thank you Zeeshan. I completely agree to your views regarding genuine literature, or lack thereof.
DeleteI suggest you watch old english movies, they completely encapsulate the essence of the books as well as the characters, i think you'll like them. Like you said, I also believe that's how it should be, not the other way around, and movies like Gone with the wind or Godfather (to most extent), bring back that faith.
Btw amazing thought process. Kudos to you my friend. Hope you start writing again soon. Would love to read your work!
Warm Regards,
Archana Sharma